Wednesday, November 17, 2010

ONE

The random word generator on my computer spit out this word today: One.
Here goes….

We were girls, the four of us, chipping away at life in our apartment on East Bruceton Road in Pleasant Hills, PA. George had left for college, and then a two-year mission in Brazil, so it was that way for a number of years: Mom and her three little girls, the tail end of her seven children. During those years, when I pushed and pulled myself into growing-up, I read Little Women in my bed at night by the light of a bayberry candle. My book was an old hardbound copy with thick soft pages. I had bought it at the annual discarded book sale at the Pleasant Hills Library. Its age commanded I flip the switch at the end of my bed and read by the light of a candle, the means by which I imagined Louisa Alcott had written it. The act itself bound me to the women in my household somehow, though they never knew it. My bed was tucked against the wall of my bedroom, with Libby’s bed doing the same on the other side of the room. I had rigged a contraption on the wall so I could turn out the light without having to get up. It involved string and eye screws and paper clips and tape. I could light my candle, arrange my pillow and blankets under my head just so, open my book to the marked page, then reach over and pull the string, which tugged at the switch by the door down at the end of my bed. The room would shift to a box of flickering shadows and I was soon up in the attic with Jo writing the script to her next masterpiece, or racing up the stairs to Beth’s bedside, her hair all matted with sweat and that sweet little Beth-smile assuring me she would be alright.

The scent of Bayberry candle, to this day, takes me back,

My days and nights were filled with women. So when that man-creature came home from four years at Yale and two years in Italy and proceeded to steal my woman-heart, I was on unfamiliar ground. Very sweet, exhilarating ground…but rather unknown to me as a freshly graduated eighteen-year-old Mormon girl in a community of males with other beliefs. (How I did enjoy his kisses!) (Still do!)

So my four sisters dressed in those frothy pastel colored bridesmaid dresses they would never again wear in their lives (except for Ann Marie’s wedding) and I stood in the middle of them in my lacy white dress with the hoop underneath the train. My world changed.

The next year, on David’s birthday, I gave him a copy of a little paperback children’s book called, Just Me & My Dad. I had stapled to the final page a little yellow carbon-copied paper from the BYU Health Center with the word “positive” handwritten next to the place that read “pregnancy test”. Eight months later we found ourselves walking through the aisles of Grand Central, the store in Orem which no longer exists, pausing every fifteen minutes so I could cling to the edge of a shelf and breathe my way through a contraction. At 10 pm we decided to walk around the hospital just in case, trying to make it to the magic midnight hour so we wouldn’t have to pay for another day in the hospital if we didn’t need to. Dave kept track of the contractions, their length and space between them, on a yellow legal pad, the increments of time filling three columns and three separate dates. Just after midnight, on November 19th, I finally laid on crisp white sheets on a bed. I focused on a fly trapped in the casing of the light over my bed: blew on that thing like there was no tomorrow in the Lamaze fashion of the day, intensely focused on the fly as my whole body focused on the baby knocking at the door. I had decided not to have an epidural. I was still the girl who thought Little Women should be read by candlelight to get the full effect, after all. Something about the intensity of the pain made the event take on a sacredness I would never have imagined. Perhaps it was the unity of purpose. Perhaps it was the way I tried to make Dave’s hand fuse to mine, and the way he let me, whole-heartedly. Maybe it was just the stillness of the hour, when the rest of the world was sleeping. Just after 3 am there was a grunt, and a sigh, and a quivering cry in the quiet of the room. In those days we never knew what we would get. It was like Christmas morning every time. So exciting and mysterious. I wonder if kids these days are missing out because they know the gender early enough to prepare the nursery and fill the closet with appropriate attire. In those days they sold a lot more yellow and green crib sheets.

The doctor held the wailing creature by the feet and pronounced a blessing on my head when he told me I had born a son. The nurse, (my former college room mate, Beth,) wrapped a warm blanket around him and placed him on my chest. David bent over and laid his head next to our son, forming a sort of triangle between our heads. His tears fell onto my gown. My tears streaked my cheeks, one hand touching the flesh of the new little boy my body knew so well, the other clenched with David’s. All was quiet and still, save the sound of our throbbing exhales and inhales as we tried to contain in meager human bodies the divinity of what had just occurred. Bless that doctor and nurse for letting us have that moment when time stood still. I have experienced many, many sacred things in my life. Holy events, in holy places. None have matched the sweetness or depth of that moment. I still consider it the most spiritual experience of my life.

That was the pivot; the sharp tip of the compass that draws the circle of our lives seems to rest on that point in my heart. I know it should logically rest on the day Dave and I knelt at the altar, and in many ways that is the truth. But emotionally, and I suspect David would agree, the turning point was that moment in the hospital when our son pressed the seal of our union into the book of life.

We did not know, on that day, that this would be our only son. For many years we did not know this. Three more times we dipped into the valley of the shadow of death and came up with holy treasure. All three times the nurses glued pink bows in their silky hairs when they wheeled them into my room. They have become my three little girls, and I am their Marme, and I cherish their sisterhood now; grateful for their goodness, their devotion, their well developed talents and testimony. They are such a gift to me, my girls.

But I have only one son. One blessed, beautiful, delightful son. He was the keeper of my heart as we walked forward from that day, now nearly 32 years ago, when I met him in the flesh. He was my reason for rising in the morning, and my joy in the afternoon. He made me laugh. He still makes me laugh. And he was willing to let me cry as well, not in anger or frustration, though there was surely plenty of that, but in tender heart-to-heart discussion in the silent hours of the night when the rest of the house was sleeping. He was a philosopher from the get go, and how blessed I was that he allowed me to answer his questions, that he even thought I might have answers to his heart quests. We shared music. We shared books. We cheered at ball games, applauded at performances, hung drawings on the fridge and the wall. Read aloud stirring passages written in his chiseled handwriting. I kept my bedroom window cracked open so I could hear his guitar playing waft up from his bedroom to mine.

He allowed his friends to share our space, and they allowed me to enter now and again, the sweet spot of teenage boys existence.

I was the middle girl of a group of girls, unfamiliar with the world of boys. They had always intimidated me. Scared me, even. My father’s hand, before it left us for good, had not been tender and welcoming; so I did not understand how it might be in a healthy boy’s world. My father could not show me; but my son did.
Thank you, Johnny.
My son.
My one.
My only.
My son.

If I had a scanner that worked I could show you pictures of John through the ages.
Alas, all I have on my computer are pictures of him performing or in various stages of growing his infamous Novem-beard and holding his own treasures.

Thursday, November 4, 2010

WHAT SINGER-SONGWRITER DOESNT DREAM OF THIS?

I have this friend, Mark.  He's funny, and kind, and brilliant, and talented.  Gifted is a better word.  He's married to my friend Sarah, who is also funny and kind and gifted.  Mark does music ~ Sarah is a dancer.  I try to imagine my life without either of them and I'm telling you, it is a sorry picture without the Robinette's in it!
When our kids were young Sarah taught them ballet at the Clytie Adams School of Dance.  I sat with a couple thousand other parents at Weber State's Browning Center one year, watching my little girl twirl around in her cerullian blue tutu.  I was so charmed by the music they were dancing to that I searched the program for the composer.  In tiny script on the bottom of the back of the program it said the music was composed and performed by Mark Robinette. Since my kids' dance teacher was Sarah Robinette I assumed there was some relation.  I listened with more intent through the whole charming program.  At the end I made my way against the stream of people exiting the theatre, all the way down to the front where Sarah and Mark were standing. 
"Was that music composed by someone related to you?", I asked Sarah when I finally inched my way up to her. 
"Yes.  My husband, Mark!"  She nodded her head in his direction.  I stood patiently behind a crowd of people waiting to talk to him. 
"Hi," I said.  "Did you write the music for the little dancer's performances?"
Mark nodded.
"I just want you to know it was fabulous!"
He graciously responded, and I made some ridiculous comment like, "No, really, I'm a songwriter too and I need to tell you that was amazing!"
He smiled, I'm sure thinking who the heck is this person?
I realized how obnoxious I was acting, so I told him thanks and left.  But I kept that name...Mark Robinette...in the back of my head for future reference.
Turns out that following winter Mark was doing a sort of Sunday Service circuit of performances of this song someone asked him to sing with them.  A duet. He sang a part about Joesph and a gal sang the part of Mary.
At some point in the following year our paths crossed on neutral territory and we both figured out who the other one was. He had somehow heard my song that Chris LeDoux had recorded and had a sort of respect for that, and then he found out I had written Joseph and Mary.  And of course I was in awe of his work. 
Neither of us can even remember the first time we had an opportunity to work together.  Susan Tingey probably had something to do with it, but we're not quite sure.  Faulty memory banks.
But whomever it was that got us to make music together, I need to give them a big hug and a shout out, because my life was changed for good.
If you've seen me perform much you'll know Mark as that tall bass player standing beside me (when I'm lucky).  I get his sweet harmonies and deep instrumental resonance when I'm lucky and he's not booked for another gig with the Joe Muscolino Band or the Orchestra at Temple Square, or he's not producing a half time show for the Orange Bowl, or he's not handling sound and tech for an international convention of something-or-other.  He's one of the few people I know who is able to support his family solely on freelance music. He is gifted musically and in so many other ways and I adore him and Sarah!
So a few years ago Mark introduced me to his friend Michael Huff.  Michael played piano with us for a performance of The Little Prince, which Mark and I wrote for the ballet school (yup, I realize the full circle charm in the fact that I get to write and play for that ballet recital now!) Mike is amazing on keyboards! And he is so dang nice, too.  Turns out Michael Huff is gifted in the way Mark Robinette is gifted.  The cashier at Home Depot might not know this about them when they're checking out. It's like...uh, people...if you knew what these guys can do you would not be so casually dropping that box of nails in the bag...you'd be trying to act non-chalant while you watched their every move out of the corner of your eye! 
Last year Dave and I were invited to sing in a regional choir for General Conference.  The director of that choir was Dr. Michael Huff - (otherwise known as Mike).  Michael has his Doctorate in Choral Direction, and I'm here to tell you he is one AMAZING choir director.  There are some songs I cannot sing without tears because of what Michael taught us when he was "teaching us the song".  Truly, if you ever get the chance to sing under the baton of Dr, Huff you should jump!  If I was not Young Women's president right now I would be singing in his choir UTAH VOICES!  We went to their performance of Carmina Burana last spring and it blew us away!  But they rehearse on Wednesday evening, and that's when I have Young Womens.
Wait a minute....it looks like I DO get to sing with UTAH VOICES! 
(drum roll)
Michael asked if I would be a guest artist with his choir for their Thanksgiving Concert, sweetly titled "GIVE THANKS". I'll be singing some of my simple singer-songwriter fare in a couple weeks, at the beautiful Libby Gardner Hall on the U of U campus...with a 170 voice choir backing me up!  And a string ensemble!  And my friends (gifted musicians and songwriters also) Dave and Carla Eskelsen...and...of course...Mark Robinette.
What singer-songwriter doesn't dream of something like this?
I'm so excited!
(and a little bit nervous!)
So if you have read this far (boy, I sure do over-write!) and you are thinking you want a warm fuzzy inspiring way to start the Holiday season, come to the Utah Voices Concert on Monday Nov 22nd.  The music is sure to be delicious!
Details:

Give Thanks – A Thanksgiving/Holiday Concert

Date: Monday, November 22, 2010
Time: 7:30 PM
Runtime: Approximately 1 hour 30 minutes
Location: Libby Gardner Concert Hall (1375 Presidents Circle, Salt Lake City, UT)
Tickets: General Admission - $10 (order online here)
Details: Utah Voices welcomes singer-­‐songwriter Cori Connors (www.coriconnors.com) for an evening of music that will feature Cori Connors as well as the music of English composers, John Rutter and Ralph Vaughan Williams.

Michael Huff is currently Director of Commercial Music at Utah State University, working with former Tabernacle Choir Director Craig Jessop.  If you know someone going to Utah State suggest they find a class...any class... Michael Huff is teaching!

Wednesday, October 13, 2010

Those Eyes

Look at those eyes! He’s gonna be a heart breaker, our Parker! Parker is the only son of my only son, John. He is a kind little 4 year old, sandwiched between two strong spirited sisters, Sophie and Ruby. Though both his parents and three of his grandparents have brown eyes, Parker’s eyes are blue. My eyes are blue. I’m just sayin’….

Parker goes to pre-school just down the road from our house. Mrs. T taught pre-school to his dad, and his aunties. She’s a good one! The other day I walked through the back gate and up the road to pick him up after school. We held hands as we walked along the sidewalk, talking about his friends and what he had done in class. Looked for cars and then crossed the street hand in hand, then when we reached the grass that leads to our back gate I moved in front of him. As we walked across the stepping stones this conversation began:

Park: Gummy?
Me: Yes, Park.
P: You have a big bum.
Me: I know.

We walked a bit more….

P: Gummy?
Me: Mmm, hmmm?
P: You have a big tummy, too.
Me: Yup, I do.

As we turned into the garage he moved in front of me….

P: Gummy?
Me: Yeah, buddy?
P: You also have a big face.

I stopped for a sec, then…

Me: Is that bad?

Parker stopped, too. Turned around, looked up into my eyes, cocked his head to the side and responded…

P: Nah, ith’s cute.

He turned and walked into the house. I followed him and we found some Play Dough.

I could have, had the spirit compelled me, taken this time to talk to Park about social grace, about how people are different and we should be careful with their feelings, etc. But he was wholly pure in what he had said. I was probably more comforted and warmed by his sincerity. There was not one ounce of malice or judgment in his comments. My size is simply an interesting fact to him. It has nothing to do with anything that matters.

I was pondering the interchange that night and I said a prayer that went something like this:

Me: Heavenly Father?
HF: Yes, Cori.
Me: I have a big bum.
HF: MmmHmmm
Me: and a big tummy AND a big face
HF: yes…
Me: Is that bad?
I didn’t see Him pause... didn’t see His eyes look into mine, nor hear Him answer. What I did sense was that He wanted to take my hand, walk into His realm and build something, maybe not with Play Dough, but build something with…something. I sensed that beating myself up about myself was going to keep me from enjoying the PlayDough of daily living. “Cute” is a relative term, and I suspect HF doesn’t really give much weight to anything like that. I’m just guessing about this. And though I’m also guessing about this, because I didn’t see them, I’m thinking today that His eyes were a heavenly blue.

Wednesday, August 25, 2010

GALORE

galore \guh-LOHR\, adjective:
In abundance; in plentiful amounts.

She walks into the room and the air changes, rising up like an autumn wind that hits a bank of trees and sends a spray of colorful leaves flying. People who don’t know her will pause, lift their chins and glance around, shrug their shoulders almost imperceptibly and continue their conversations. People who know her move toward her like ducks to bread on water.

She, meanwhile, is wholly unaware of herself, except for a little self consciousness evidenced in the way she tugs at the back of her shirt, making sure it’s not sitting on the Parrish shelf on her back-side. She sees someone she loves, which is basically anyone she has met, and her face lights up; her cheeks rising, her lips parting, her aquamarine eyes sparkling like the sun has just come from behind a cloud on Lake Huron. Irresistible, I tell you. Arms reach out, like zombies from the Night of the Living Dead, only with all good non-scary feelings. They rise in response to her presence. They rise to embrace her. You move your heart in closer to hers and then you smell it; faint and sweet. You inhale just a millisecond longer to capture the scent of Galore.

It’s been her perfume of choice for years. Mine too, though it is not the same on my skin is it is on hers. My skin is too dry. Too selfish. Too….something. But when I smell it on her it makes me want to spray one more spritz in the morning, like schoolgirls who wanted to look like Jennifer Anniston so they spent an hour every morning trying to get the hairdo. We come close, but….

Galore is the perfect name for Ann Marie’s perfume. She is abundance personified. She is graciousness. She is generosity. She holds her cup of life with both hands, raises it toward heaven and watches it overflow as if it were a fountain of youth. There is no end. The more she gets, the more she gives. The more she gives the more she gets. Logic will try to cap it, but like the BP oil spill in Mexico, it will not hold. Her time, her talents, her warm conversation, her culinary skills, her hosting abilities, her testimony, her curiosity, her compassion, her money, her hard work, her tenderness, her laughter, her tears: they cannot be contained. Nor should they be. She is a divine vessel for all of it; a good steward. We’ll be at Costco getting supplies for Thanksgiving and she will pass the children’s toy section and she will move her cart over in that direction like there was a big invisible magnet hidden under the display table. Though there are no little children in her immediate family, she will drop a doll in her cart, already almost full, and then something with some semblance of Mickey Mouseness, along with a Lego set and something that looks like Sophie….oh, and some PJ’s for baby Ruby. These are MY grandchildren. See what I mean?

My mom used to struggle to restrain her concern about Ann Marie’s health. She worked so hard, and got so tired.

“But it makes me happy, Mom.” she would say between yawns.

Ann Marie is our mother’s little bird. Mom doesn’t play favorites, but anyone can see the sweetness of her affection for AM. And there is no wonder. When we were teenagers I sat in the old white rocker doing something wholly selfish while Ann Marie vacuumed and dusted. Once in a while she would comment to us that our mom worked 16 hour days providing for us and she shouldn’t have to deal with cleaning the house when we were fully capable healthy girls, etc. Guilt would get me up for something like a piano polishing, but soon enough I would have to use the bathroom and the little rest was just too compelling and…well, you know. Our current lives are evidence of our natures: just look at Ann Marie’s house, then take a gander at mine.

Like I said, Galore does not smell the same on my skin.

In 1956 my mom and dad had an argument, so I am told, that ended up with my dad at the top of the basement stairs, drunk, and my mom in a heap at the bottom. She spent weeks in the hospital with clots that invaded her heart and her lungs. She was not expected to live. Mom’s sisters had decided between themselves who would get each of my mother’s children. AM, Lib and I watched this from our heaven place perhaps, wondering how we were going to get down there under these circumstances. Mom was pregnant with Ann Marie at the time. The doctors wanted to abort. They worried mom’s damaged heart would not hold out. Mom refused. “Let’s just play it by ear and see how it goes,” she told the doctor. So I imagine Ann Marie’s weightless spirit hovering over our mom for the next months, whispering encouragement in her ear, stroking her hand at night when the room was dark. And when her spirit came into its body, she kicked only enough to make herself known, but not enough to trouble her mother. That’s what I imagine.

Nineteen months after our mother safely delivered Ann Marie in Grandma Jensen’s house for birthing mothers, she delivered me. Sixteen months later Libby came down. Three little girls in a row. AM was the delicate one, the quiet one, with dark hair and a beautiful smile. Her perfume was that sweet smell of little child sweat, all pure and sharp, like fresh milk from the cow. I picture our mom holding her against her chest, coaxing air from her little tummy, burying her nose in the folds of her baby neck, inhaling aroma, memorizing her scent.

That was 54 years ago. Mom is nearly 87 years old now.

Yesterday Ann Marie drove all day, from Sacramento to Salt Lake City, arriving at Mom and Libby’s house at about one in the morning. She and Mike had come to drop Joseph off at BYU. Joseph is the youngest of Mom’s grandchildren, the caboose of the little train following the big red engine. He is a tall, handsome delight of a boy.

“Mom’s still awake,” Libby said when they walked in, “Go say Hi.”
So the three of them tiptoed into Mom’s bedroom where mom lay on her side, her snowy hair glowing against her deep red pillowcase.
“Hi, Mom.” Ann Marie spoke in a whisper, leaning over her bed to try to catch her eye.

“Oh! Hi Doll! What are you doing here? Oh my goodness, you’re all here! Do you get to stay?”

Everyone melts.

Ann Marie bends low to the bed, her lips touch the lips of her mother. I imagine mom inhaling, just a millisecond longer than normal, to capture the smell of Ann Marie…the scent of Galore.

Abundance.

Wednesday, August 11, 2010

MY MASONIC ALTAR


Truth. Love. Fidelity. Charity.

These four words, painted in reverse glass fashion on the four sides of this antique Masonic altar, remind me of the most important things in my home. Not the furniture, though beautiful things certainly create a warm and welcoming atmosphere. I imagine the grain in the wood of this old altar has absorbed many a story; not only the century old ones it acquired in the fields and pastures of the eastern United States, where it was used for outdoor Women's Temperance Revivals. I know for a fact there are decades of family memories caught in this old walnut altar. Evening stories told by firelight, Christmas mornings, music and laughter and a healthy balance of tears.

I cherish this piece of furniture because it has been a constant in the life of our expanding family; sitting in the family room as all our children grew up, and now as our grandchildren scoot their riding toys past it. It reminds me, each time I look at it, that Truth and Love - Charity and Fidelity are the heirlooms I will leave the ones I love.

Wednesday, June 30, 2010

LIMB

June 30, 2010 limb


“That is one strange looking tree.”

Dave paused as we climbed the small hill. My fingers, interlaced with his, felt him stop, so (though I had been watching my feet and not the scenery) I paused too.

“Sure is.” I said, cocking my head to the right side.

“I wonder how it grew that way?” He pondered underneath his pursed eyebrows.

“I think that’s not the trunk that goes all the way up.” I said. “I think somehow the trunk got diseased or broken and the limb became the trunk.”

We both stared for a minute, wondering what may have happened, and when it may have happened. The Quakie was bent like the arm of an Egyptian dancer; like the letter Z on an ancient torture chamber stretcher; her silvery bark reflecting the setting sun over Farmington Pond like Zorro had sliced the sky.

When trunks struggle a good strong limb will take over and keep the flow going. Pretty soon it’s hard to tell the difference unless you pause. And you look up.

Trunks break all the time. I wonder if trees grieve the loss?

My mother’s family tree suffered a broken trunk somewhere during the Great Depression. Mid 1930’s. That’s the year her mother, Lizzie Parrish, left the ranch in Blackfoot with a belly ache. Headed to Salt Lake City to visit a doctor. On the way they stopped in Soda Springs to visit her brother Joe. They never made it to the city near the Great Salt Lake.

Mom was in seventh or eighth grade. Her sister Becky was nine years old. Mae was in High School. Mae remembers being called out of class. Someone, unremembered now, followed the path of the three schools like a dot to dot, hastily gathering daughters into an old black automobile. Silently they bumped over the rough roads to Soda Springs in time to say goodbye to their mom.

The trunk broke.

George Parrish grieved the loss of Lizzie until he couldn’t stand it any longer. One year after Lizzie died he married again. Alice. A young thing, rough around the edges, with not much to offer a grieving family. She was younger than some of George’s children, and she didn’t care to raise the younger ones.

So the limbs took over.

Nine good limbs remained on George and Lizzie’s tree: Fred, Parks, Ruth, Ruby, Edna, Mary, Mae, Afton and Becky. Mae, Becky and Afton were pretty green and tender. The big branches stretched up toward the heavens and let the life flow despite their sorrow and discomfort. Not only had they lost their mother, they had in many ways lost their father as well.

My mother, like the two sisters who straddled her in age, lived her remaining teenage years in the limbs of her older brothers and sisters: hung there in a small space while they raised their kids around her. They were good to her, and gave her safety in her solitude. She learned to fend for herself early on. Sewed her own clothes, worked jobs and lived her own stubborn life until she was seventeen and old enough to marry Cy Davis and move, finally, to a home of her own. In their own individual ways my uncles and aunts nurtured my mother into the woman from whom seven more branches sprung. I bend my little green twig of self down toward them here in our family tree, wanting to connect, wanting to thank them for not letting go; for not giving up and letting the whole thing die. When I came along, the trunk had grown over where the break occurred, and not knowing anything different I thought our tree was just a normal one like all the others on the hill.

That’s before I learned to pause.

My own funny little branch sprang from the large sturdy one that came from the crooked trunk of my mother’s family tree. We are zigzagged and odd, but strangely interesting nonetheless. And with every turn of the seasons, like every other tree in the forest, we burst with new life, proving to ourselves that, despite our awkward appearance, we are survivors.

It’s a good thing to pause. And look up.

Friday, June 25, 2010

HONEY

June 25, 2010 honey
Years ago, when my mom and I went on outings because we had something we needed to do rather than to just get her out of the house, I decided I was going to make friends with beeswax. I loved the way the pure beeswax candles we bought in Williamsburg dripped when we burned them. I was gonna make my own! Both Mom and I had antique tin candle molds sitting on our hearths, and I wanted to try candle dipping as well. The prospect was sealed one day while dusting a couple old Santa candy molds I also own; I thought I’d also try making beeswax ornaments from the old molds. Thus began our quest to find good quality beeswax.
Thanks to the yellow pages (these were the days before Google) I discovered a small shop in Salt Lake City where they sold the residue left over from their honeybee hives. On an autumn afternoon Mom and I followed the seam of I-15 down south, off an unremembered exit, past a business selling cast lawn ornaments. We drove back across a long narrow driveway and opened the door to the shop. I’m not exactly sure what the memory was, but the aroma of the place evoked one: a remembrance of something long forgotten…like hundreds of years old. Something stored deep in the spiritual pocket behind my belly button.
We purchased two large blocks of golden wax. I lifted the bricks to my nose as we walked out, inhaling at half-speed. It was earthy and sweet and balanced…it felt balanced - in the way that all the earth should be balanced. Like a dinner plate with two thirds vegetables and one third protein. Like water from a mountain spring the minute it emerges. Like morning air damp with dew. It felt like the benefit equaled the sacrifice. Sweet and earthy and old.
We melted the wax in an old can which we set in a pot of water. The can clanked and jiggled as the water below it boiled, the clump of gold turning to liquid as I stood above it and watched. I stirred the wax with an old chop stick until it was melted. We poured and dipped and scraped. Re-melted, re-poured and dipped again. We still have those golden Santa’s made of beeswax. I recall that afternoon every time I lay my Santa collection across my concrete mantle in our family room.
A few years back I spent a summer travelling to various public libraries in Salt Lake City. They had hired me to do a summer program for children. We called it Happy Faces – Happy Feet. We sang songs, traced our feet, dressed up like fairies, made music shakers out of empty pop cans (we had plenty of them at our house, what with Dave’s Pop Shoppe). Then we marched and kept the beat as we sang, following the pattern we had laid on the ground with our traced feet: A marching band of children with a Pied Guitar-er in the lead. I did a different library every week.
One week there was a little four-year-old boy who completely charmed me when he talked. I had been sitting on a stool, explaining something, when he raised his hand. His name was Thomas.
“Yes, Thomas,” I said, worried that his helium-filled arm was going to wave off his body.
“My Honey said we should do this or that (I can’t remember what it was he said, just that he mentioned his Honey.)
“Oh, good idea!” I responded.
“Who’s Honey?” I wondered who the sweetheart of a four year old would be.
“Ummmm”, he thought for a minute, “She’s just my Honey.”
“OK,” I said.
One week later he showed up in another library.
“Hey!” I smiled as I winked at him. “Weren’t you at our last one in South Jordan?”
“I brought you my Honey.” He turned and took the hand of a middle aged woman. The sort of woman I am now.
I was charmed almost speechless that he called his grandmother Honey.
“So do all your grandchildren call you Honey?”
“No,” she responded, “Only Thomas. He just started calling me that one day and it’s been that way ever since.”
I could not take my eyes off the two of them for the rest of the program. I watched him wrap his arms around her neck when they finished their rattle. I watched her talk to him as he colored. They were perfectly balanced; like the beeswax. The just-right amount of give and take. Sweet and true and eternal.
Honey.

ps- my Honey and I were married in the Washington DC LDS Temple 33 years ago today.  Happy Anniversary, Honey!