If I
could notate music I would do it here to show you the musical line of her
recent creation, “Liberty Bell”. The
lyric goes like this:
As
with most songs, versus poems, you need the music to give it full impact. And to
make it shine, you will need Anna Bella to sing it for you! She knows,
instinctively, the value of simplicity, and of repetition.
So,
Anna, I have a little advice for you (and any other writer out there). Write your truth.
When
I was working seriously on my songwriting career, and making trips to Nashville
and L.A., I repeatedly heard that I need to know my audience and write for
them. “Listen to the radio, and see what
people are listening to. Then imitate that with your own flair.” There is some truth to that, if what you want
is to aim only for commercial success.
But even then, I still advise you to write your truth. Your truth is no one else’s, because no one has
your heart and your brain and your life experience. But, if it is real truth,
then the validity of it will infuse into your songs, so that even if it is not
the experience of the listener, they can still believe it as YOUR truth, even
though it isn’t theirs. I’ve always believed that I can enjoy any piece of
music if it is honest, believable, and on pitch.
By
“honest” I don’t mean “realistic”. Like
all forms of art, you can express your truth in all sorts of ways. There can be great truth in a song about pink
elephants, even though there is no such thing as a pink elephant in real life.
Find that underlying truth and tap into it.
When
we moved to Utah someone in PA said to me, “Oh are you going to go write LDS
music now?” Even back then, in my very
early twenties, I smiled and shook my head. It has never been my intent to
write music for the LDS church market. I
just don’t swim well in those waters.
That being said, I think most of what I write would not offend an LDS audience. At least I hope not, because what I write is
my own truth, and I am a dyed in the wool, true blue LDS gal. I may not fit the typical LDS cultural
stereotype (though I am afraid I probably do more than I’d like) but the core
of me embraces that faith. Maybe it’s
just semantics. I am not an LDS songwriter – but I am a songwriter who happens
to be LDS.
A
while back, after we had produced my album Out of the Blue, we had a release
concert in Boise. We had recorded that
album in Boise and Nashville, so it was natural to have a release concert
there. I taught a songwriting workshop that
weekend as well. And then a fellow who
owned a bar there asked if we would hold a second concert in his establishment
the following night, which we did. I
have sung in bars many times. I’ve sung
my own songs there, the same songs I sing in churches and house concerts and to
my children and grandchildren. My truth
is my truth, wherever I take it. After that show a fellow came up to me. His breath reeked of alcohol, and he had
tears in his eyes. “I know I am drunk” he said, “and I apologize. But one of your songs tonight reminded me
that I have grandparents who loved me. I
had forgotten. Thank you for reminding
me.” Truth is truth, no matter where you find it.
And,
Anna, here’s another thing: your truth does not have to be your actual personal
experience, word for word. When you
write, you are allowed to use poetic license.
The truth lies in the message, and the feeling. The details should support that truth, and if
you have to create details to support it, go right ahead. The details of the songs do not have to be
autobiographical. But the core of the
song should be, because in order to be truly believable, it needs to contain
what feels true and honest to you.
One
more thing, inspiration is a diving board.
You use it to spring off, a starting place. People who say they cannot
change a lyric or music because it was inspired by God are…well, I think
they’re wrong. Generally. Of course there are exceptions. But in general, our inspirations as writers
are whisperings that we should address a topic.
The rest is sweat. Use all your
intelligence and energy to turn that inspiration into a well-crafted song. Play it for writers you respect, and if they
have advice, listen to it. My rule of thumb is if two or more respected writers
have the same criticism, then I must take a second look and see what changes I
can make. I may choose not to make any changes, but I will take an honest look
and evaluate with fresh eyes and ears.
Once,
when I was taking a poetry class at BYU, I called home in tears, telling my mom
that I could not write, I never was a real writer, and my professor hated my
writing. My mom calmly asked about my
professor, what kind of writer he was, and if I liked his style. I told her that I did not especially like the
way he wrote. She reminded me to
consider the source, take what advice the spirit and my intelligence tells me
to keep, and spit the rest out. I’ll
pass that bit of wisdom on to you, from your wise old Gram who loved you, and
still loves you from her Heaven-place.
There’s
a lot I can tell you about songwriting, Anna Bella. I hope you’ll ask. Your dad and uncles Dan and John can also
help you. But the one thing I want you
to know now, when you are nine years old, is that what you write should feel
like truth from your heart. It doesn’t
have to be heavy and serious. It can be
as honest and light as Ding- Dong- Crack!
P.S. - Little Libby, my grand-niece who is also a talented songwriter - this is for you, too!



Big Yellow Dough and Liberty Bell are two of my all time favorite songs!
ReplyDelete"...I am not a penguin."
DeleteGrateful for truth shared by you over and over and over!
ReplyDeleteWise advice from a Gummy who couldn't be a better-suited songwriting mentor! Love you.
ReplyDelete